#Puisi bahasa sunda dan artinya tentang cinta full 3 While Buckley (2017) classifies weaving techniques into four types, Pelras (1972) classifies them i (.)ġ3 The present article, which has been inspired by the work of Wisseman Christie (1993) regarding texts and textiles in what she calls ‘Medieval Java’ (i.e., from the 9th through the 12th century), aims to fill some of the gaps in research so far. It is important to compare early Sundanese textile culture with what was practiced in the Javanese-speaking area during the period covered by the Old Sundanese sources (ca. 14th–17th century), considering that both regions share the same basic weaving traditions, especially in terms of technique. According to the classification of Buckley (2017, see fig. 1), West Java is included in the areas that were strongly influenced by Indianisation which share characteristic similarities in their weaving traditions: the first feature relates to the kind of loom that this scholar denotes as an externally-braced loom with flat warp and reed, or a loom whose warp is flat while the weaver’s foot does not press directly on the edge of the loom (see fig. 2). The second feature relates to the tie-dye process weft-based ikat is used as a logical consequence of the use of the flat-warp type of loom. #Puisi bahasa sunda dan artinya tentang cinta fullĢ – Weaving Tool from the Sundanese region (Jasper & Pirngadie, 1912:122).
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